I’ve travelled to more than 30 countries all over the world — French Polynesia, much of Europe, Scandinavia, China, Australia, across North America — but the One Ocean Expeditions journey I took to Antarctica in January 2016 was one of the best experiences I’ve had. Part of the draw for me was photography. I’d seen some of photographer Martin Bailey’s images of Antarctica and said to myself, “I want to take pictures like that.” The variety of what I saw down there was just incredible. Elephant seals, thousands and thousands of penguins — gentoos, chinstraps, adélies, kings — humpback whales, killer whales, icebergs. God, those icebergs were magnificent. Three kilometres long! You don’t get to take pictures like that at home.
When we weren’t onboard learning from the staff about the places and things we’d seen — whether it was the Falkland Islands and the war that happened there, the remnants of the whaling era or penguin rookeries — we were out exploring. One day, we went swimming at the beach on Deception Island, which is an active volcano in the South Shetland Islands. The sand was steaming, but the water was maybe 3 C. One way or another, though, I was going in, even if it was only up to my knees. It was just one of those things I had to do. I remember thinking, “OK, I’ve been in the Antarctic Ocean and have the picture to prove it. Now I can get out of this water!” I’ll never forget that.
I’ve done more than 70 expeditions to Antarctica, and people always ask me why I keep returning. There isn’t one specific thing that pulls me back, because I’ve come to realize that every time I go, something different is going to happen. You leave without any idea of what that could be — seeing an amazing iceberg, having an encounter with an elephant seal, getting a glimpse of an emperor penguin — and it’s that sense of going into the unknown that makes the whole experience so worthwhile.
I say “unknown” because being in Antarctica is like being on another planet that’s just all nature. When you’re there, it’s as if creation happened and then everything just stopped. And because internet access is limited, you’re almost totally cut off, which forces you to be in the moment and connect with nature. As a photographer on these journeys, I work long days, which is physically demanding, but spiritually, my mind gets so much energy from the experience.
One of the great things about One Ocean is that they always include space for scientists and researchers onboard. As a member of the International League of Conservation Photographers, that’s important to me. My main goal is to enhance the experience of the guests, of course, but it’s also a chance to create ambassadors for conservation. Yes, I can help you take better pictures, but then you go out and show the world what we have in Antarctica and what we risk losing if we don’t protect it.
Being on the One Ocean ships made a huge difference to my Into the Arctic project — I’m only able to access so much landscape when on land — but it was also just incredible to wake up every day in a new part of the Arctic, especially because I was still in full-on painting and filming mode. [Trépanier started his Arctic Passage painting shown above during his One Ocean Expeditions trip. — Ed.] Having the opportunity to see parts of the region I otherwise never would have seen was a big thrill for me as an artist and as a traveller.
There were many standout moments, but one I’ll never forget was when we were sailing down the west coast of Baffin Island. The sun had just set, but there was still a glow in the sky. When I walked around to the east side of the deck, I saw that the moon was beginning to rise and noticed northern fulmars gliding alongside the ship in the moonlight. Then the northern lights started to come up; they were weak, but still dancing. I thought it couldn’t get any better, but then I looked down at the water and saw it was aglow with bioluminescent creatures — they were like fireflies of the sea.
I wish that I’d had a camera that was able to capture the combination of those four kinds of light. To have been able to put that on film would have been wonderful, but it will just have to remain one of those great travel experiences that I tell people about.
Before I hopped on a plane and started my journey to Canada’s East Coast, I knew a little about the region — major cities, landmarks, national parks, those sorts of things — but I’d never been there. The “Fins and Fiddles” trip with One Ocean Expeditions changed that, obviously, but in the most unexpectedly amazing and rewarding ways.
I was looking forward to going to Sable Island, even though I expected it to be nothing more than a sandbar. But it was far more than that. The sheer amount of wildlife on the island blew me away, from the world’s largest breeding colony of grey seals to birds such as the roseate tern, and the horses, of course — you can’t see horses like that anywhere else on the planet.
I think part of what made stopping in places such as Sable Island, the Magdalen Islands and Gros Morne National Park so memorable was the variety of ways I was able to explore them. I got to learn about and see the incredibly diverse landscapes, wildlife and cultures of
the region while biking, hiking, kayaking, stand-up paddleboarding and going on Zodiac cruises. Yes, you’re on a ship, but these experiences allow you to explore even farther, to have more freedom. When we sailed into Bonne Bay by Gros Morne National Park, we used stand-up paddleboards to get up close to a waterfall. That sort of flexibility gives you an experience you just can’t get on a cruise with 5,000 other people.